Live music! You can't beat it! I've done really well over the past few months and I have totally failed to write about any of it. I keep thinking I'll wait until the next gig and then do a double post. Well, I'm now having to do a major spring-clean catch-up post. Mainly for the benefit of Simon.
Before Christmas I went to see Nouvelle Vauge who are a bit of a niche act, performing French bossa nova versions of 80s and 90s cult classics. The Bridget-Bardot-like singer announced she was actually Australian and
proved it by swearing. Any Aussie audience would have cheered,
but this one just stood in shock as half were French. Good gig though.
In the new year I saw Stars live. I had only recently heard of them, but had been quickly enchanted by their story songs and the whole guy/girl two singer thing. I think they've been around a bit, but they had a young fervent audience who eagerly swallowed the exuberent package.
True to their name, Cinematic Orchestra make music for a film that doesn't exist. Soulful electronica with a layer of gospel. And they have a double bass, always a bonus.
Mr. Scruff does his DJ thing and also has his own brand of tea. But I have written about him before. He played at the old barracks in the centre of town and it was raining but it didn't matter one bit.
The Cat Empire are one of Australia's biggest bands. Kind of funky skiffle rap fusion with a hint of Islamic-call-to-prayer. They were supported by a balkan gypsy accordian ensemble. I almost missed the start because my friend declared she was too hot in jeans and had to go back to the car to change into shorts. I'm bored of finding links, I'm sure you can google them. The lead singer looks like an architect, I think I've mentioned that before ...
The best gig I have been to for ages was Bon Iver. A group from Wisconsin who play a sort of etherial folky guitar rock that was written in the snow, and you can tell. They were a bit out of place amongst the formal seating of the Sydney recital hall but played with passion and energy; it was the last concert of a world tour and they wanted to make it count. They had one of those flexible approaches to assigning-instruments, the drummer had a keyboard, the guitarist had some drums and the keyboard player had a guitar. Everybody sang, someone made a guitar sing and they all wore singing-checked shirts. Their album "For Emma, Forever Ago" makes me think that everything will be alright and whatever happens in my life, if I at least have track two and maybe track nine, then it won't matter, I'll be safe. You should own a copy, whether or not you're called Emma.