I saw two wonderful films yesterday, one French Canadian, and the other French, um, French. The French one was called "I always wanted to be a gangster" (J'ai toujours rêvé d'être un gangster). Susie is a waitress in a motorway cafe. She found herself in the job after her attempt to rob it went wrong. When a desperate man tries to hold the same place up two days later, she is well placed to offer him sympathy and advice ... Meanwhile two incompetent, bickering kidnappers forge an unlikely bond with their suicidal teenage emo victim and four elderly criminals spring one of their friends from a hospital in order to pull off one last heist. It was simply brilliant, hilarious and strangely beautiful. And Susie is my favourite film character in ages. She's absolutely insane.
"Le Dernier Continent" (The Last Continent, I think) was the other film. A boat full of stubbly Canadians decide to stick out the Antarctic winter in the name of global warming research. Although the crew seemed to spend more time playing ice-hockey and stealing satellite TV from abandoned Argentinian research stations than doing actual science. At times it was real, amazing boys-own stuff; the ice that was meant to hold their ship fast did not materialise until late in the season, leaving them at the mercy of some wild weather. "We're heading to the rocks, cut the ropes! Cut the ropes!" (coupez les cordes!) There were times I wanted to scream at the cameraman "put your camera down and help them!" as the heavy weather pounded the fragile ship and the nearest lifeboat was months away.
If there is one criticism of the film, it's that we did not get to fully appreciate the individual characters. The direction, perhaps understandable given the environmental focus, concentrated on the icy world around them. The only adventurer we got to know was the leader, Jean Lemire; the Jean-Luc Picard of the ice, but with more hair. We were treated to many shots of him in his study, writing his star-log. However, the wintery wastes of Antarctica have been documented in many other films, so this expedition had a great opportunity to take a different angle and shed light on what it takes to spend months in total isolation, in almost perpetual darkness and trapped with a dozen people you may or may not get on with. For the most part this potential was not grasped, although we were treated to the sight of the ship's doctor dealing with interpersonal conflict by writing his feelings down before burning the paper. As I left the cinema I overheard one comment, "There was no way that was a real doctor, his handwriting was too good."